Doja Cat's fourth studio album Scarlet introduces a new era for the Grammy award-winning global superstar that represents a rebirth in her career sonically and creatively.Scarlet shows the artist's versatility as a rapper, with this album being completely written by Doja Cat throughout. This 15 track collection includes the worldwide hit "Paint The Town Red."

My favorite moments in the human experience are ones that you don’t even realize have started, but feel so deeply when you realize they’ve ended. I refer to these as ‘Ultrapure’ moments. This album was my humble, unqualified, and earnest as hell attempt at sitting in those feelings until they had no choice but to burst out of my head. These songs are about a type of pain I hate and love, but mostly have a deep appreciation for.

The Japanese band Chai cast a spell on the world in 2017 with their debut album, PINK, a collection of songs that introduced their singular brand of playful pop. The enthusiastically feminist follow-up, PUNK, raked in accolades from the music press and fellow artists. That led to WINK, which Chai made via remote Zoom sessions, a limitation that became a strength by allowing MANA (lead vocals and keys), KANA (guitar), YUNA (drums), and YUUKI (bassist-lyricist) to collaborate with artists abroad to create a work that found catharsis in their international community. Unlike WINK, the band's new self-titled album finds Chai returning to their roots, drawing inspiration from city pop, J-pop, and their Japanese heritage. The album might be the perfect distillation of Chai's ethic: it urges listeners to keep moving through this life with joy and passion. Per MANA: "It's not about winning or losing as competition, but about what you need to do, personally, to feel you've won."

Read Southall can sure turn a phrase. "This record is the gasoline for the love machine," he says of the band's new album, the exhilarating and self-titled Southall. The record sparks and burns with 11 crank-it-up songs that expertly combine country, rock & roll, and the dust and grit of the band's native Red Dirt scene. Produced by Eddie Spear, Southall manifests the true band album that singer Read Southall first envisioned, a band's album that roars with raw and loud collaborative power with glimpses of hard rock and metal, along with easygoing back-porch vibes. The group formerly known as the Read Southall Band now makes music where every member of Southall brings lyrics, melodies, and full songs to the table. "It's the colors of different people with different influences making music," Southall says. That's why we changed our name to Southall."

Bleach Lab proudly call themselves perfectionists. The South London formed in 2017 as a duo of bassist Josh Longman and guitarist Frank Wates, they then recruited vocalist Jenna Kyle before reaching their final form at the start of 2021 with the recruitment of drummer Kieran Weston. After releasing three EPs, they are now gearing up for their debut album Lost In A Rush Of Emptiness, where the band felt free to experiment, always keeping true to their alternative nature. The songs on it are packed with widescreen, dreamy soundscapes that pushed their aesthetics forwards and continued the experimentation that exists at the heart of the project.

"Foreign Land" is the opening track on Teenage Fanclub's 2023 studio album, Nothing Lasts Forever. That track-and the rest of this beautifully rich and melodic album-is the sound of a season's end, of the last warm days of the year while nights begin to draw in and thoughts become reflective and more than a little melancholy. While the vocals and the finishing touches on Nothing Lasts Forever were recorded at Raymond McGinley's place in Glasgow, the music was recorded in an intense 10-day period in the bucolic Welsh countryside at Rockfield Studios, near Monmouth, in August 2022. You can hear the effect of that environment on the record-it's full of soft breeze, wide skies, beauty, and space.

Confessions Of The Fallen is the brand new album from radio rock titans Staind. It marks their return as a band after hiatus and is their first studio album in 12 years. The record features 10 pummeling rock anthems, including radio smash “Lowest In Me” and brand new single “Here And Now”.

A defining album of the 90s, Last Splash by The Breeders turns 30 this year. To celebrate, the band have returned to the original tapes to give it its first-ever remaster, and by doing so have also unearthed two lost tracks that will delight fans. 
  
Recorded by the ‘classic’ Breeders line-up of Kim Deal, Kelley Deal, Josephine Wiggs and Jim Macpherson and featuring singles ‘Cannonball’ and ‘Divine Hammer’, Last Splash was “an alt-rock classic” (Pitchfork’s Top 100 Records of 1990s) on release; a fast seller too, quickly attaining Platinum status in the US. 
 
Despite having had the boxset treatment on its 20th birthday, the album was still left to be remastered so 10 years on, the original ½” tapes were taken out of the archives and have been lovingly worked on by Kim Deal, Benjamin Mumphrey and Miles Showell (Abbey Road). 
 
Never sounding so good, the album for its 30th anniversary, it’s getting the ultimate vinyl pressing. Entitled Last Splash (the 30th Anniversary Original Analog Edition), this new version has been cut at half speed at Abbey Road by Miles Showell, now spanning two LPs and running at 45rpm. 
 
This edition contains an exclusive, one-sided etched 12” which features two previously unreleased tracks – ‘Go Man Go’ and ‘Divine Mascis’ (‘Go Man Go’ is a track that Kim co-wrote with Black Francis while ‘Divine Mascis’ is a different version of ‘Divine Hammer’ with Dinosaur Jr.’s J Mascis on lead vocals). Both tracks originate from the original sessions and were left forgotten until the sessions were exhumed to create this new master. 
 
The attention to detail continues to the album’s art, which equally celebrates Vaughan Oliver’s iconic sleeve. With Vaughan sadly no longer with us, his long-time design partner Chris Bigg has gloriously reimagined the album’s sleeve for this new version.

Vinyl LP pressing housed in gatefold jacket. 2023 release from the singer/songwriter.

"Flying Wig" is an album of recurrent dualities; a can of paradoxes, a box of worms. The pine-surrounded cabin studio where Banhart was “constantly listening to The Grateful Dead” somehow birthed something slick, city pop-adjacent and eno-esque. It’s the actualisation of a “precious friendship” with producer Cate Le Bon - a coming together prophesied by the mirror-image titles of their early solo albums (Banhart’s “Oh Me Oh My” / Le Bon’s “Me Oh My”), a tenderness built on crude haircuts (“we finally met, soon after she was cutting my hair with a fork and that was that”) and home-made tattoos.

Limited Edition White Vinyl (1 x LP in sleeve). 'Man’s A Wolf To Man' is Andy Taylor's third solo album and his first in 30 years. The record is a pandemic album, and a cancer album, and a state-of-the-world album, but still a triumph of joyful, uplifting music. Originally intended for release in 2020, Andy used the opportunities of the Covid lockdowns to re-examine the album retool it under his own unique circumstances. Then, in 2022 he was given the news that the prostate cancer he had been battling was now terminal and the diagnosis meant he was unable to attend his induction into the Rock And Roll Hall Of Fame as a member of Duran Duran. However, this directly led to a reconciliation between Andy and the band and he is optimistic that pioneering targeted nuclear therapy will give him longer than he had originally believed. 2023 finds Andy Taylor on top of the world, with a truly fantastic and career-defining solo album, and bridges rebuilt with his old friends and bandmates. The future looks bright, for as long as it can last, whatever length of time that might be.

TEC is a journey through the past four years, reflecting on Lil Tecca’s rapid ascent, subsequent challenges, and ultimate triumph as he has navigated his evolution. With TEC executive produced by Lil Tecca and Taz Taylor, Tecca embraces his comfort in his own skin and a newfound confidence, diving deeper into his roots and personal narrative. The fourth studio album from Lil Tecca includes the previously released tracks “500lbs” and “HVN ON EARTH” feat. Kodak Black.

Description: Finally back in print for it's 10th Anniversary, the one and only Palms album featuring Chino Moreno of Deftones/Crosses with members of the band Isis. Features two previously unreleased tracks.

Los Angeles based indie pop project Yoke Lore, the solo musical venture of Adrian Galvin, announces his debut full-length album, Toward A Never Ending New Beginning, out everywhere via Yell House Records / Thirty Tigers on September 22nd. 

Yoke Lore’s first full length album, Toward A Never Ending New Beginning is set to solidify Galvin as an indie pioneer, transcending beyond the genre with his unparalleled talent for captivating listeners with his distinct artistic vision and introspective lyricism. The 14-track album chronicles his journey of turning strengths into weaknesses, personal growth, and discovering who Yoke Lore truly is. It’s an album full of reflection and raw, unfiltered honesty that will most definitely connect with listeners on a deeper level. Combining electronic beats with subtle instrumentation, each song on Toward A Never Ending New Beginning is sonically diverse and thoughtfully crafted, taking listeners on a journey of self-discovery along with Galvin.

Galvin views his debut record Toward a Never Ending New Beginning, as being guided by the principles of the I-Ching; an ancient Chinese divination text that maps out 64 transitions that you could possibly be going through at any time, reflected in the form of hexagrams. It is a meditation on all of the little changes he has gone through in his life: from celebrations to moments of sadness to moments of stillness. All of it is connected, all of it is related.

The third track on the album, “Shake” combines ethereal layered vocals and bouncy synth to create an upbeat, motivated track about disrupting the routine and repetitiveness in our lives. Stripped-back verses build to the bursting chorus that encourages listeners, “You gotta find time to shake.” After a radiant bridge, the instrumentals slowly fizzle out, leaving the message of the song hanging in the air for reflection.

Regarding the single, Yoke Lore states, “‘Shake’ is a dedication, a declaration, and a demonstration. It is a dialogue between me and the world. I wrote this at a time when I felt isolated by my own sluggish trepidation. One day as I was laying in a pool of sweaty lethargic shame, I came across an ancient Chinese oracle called the I-Ching or Book of Change. I threw some coins and divined a hexagram made up of six stacked lines. It was called Zhen or Shake or Shock. It told me that I was at an inflection point. It demanded that I shake myself up out of the malaise or things would go septic. We all go through periods of stale stagnation. Our bodies and our lives have to be lived in motion. If we stay the same, we fail to grow, we get brittle in the body, we get stubborn in the mind, we go blind in the heart. By embracing the flux inherent in our nature, we can find some harmony. Shake yourself out of the torpor and toward a never ending new beginning.”

The new single follows on the heels of “Winona,” released last month. Exploring themes of self-discovery and the cathartic power of personal growth, the track combines electronic elements with organic instrumentation that transcends beyond Yoke Lore’s indie genre. His acclaimed discography thus far includes standout singles such as “Goodpain,” “Chin Up,” and “Beige,” which earned him an RIAA Gold certification. With over 450M+ streams to his name and tours across the globe under his belt, including a recent run with Goth Babe, Yoke Lore has garnered a loyal fanbase and widespread acclaim from both critics and fellow musicians alike and established himself as a notable force in the indie scene.

In August, Yoke Lore will embark on the 23-date Holy Havoc Tour, which sees the artist playing dates from coast-to-coast, including Music Hall of Williamsburg and Brooklyn and The Fonda Theatre in Los Angeles. Tickets are on sale now at www.yokelore.com

FINAL GASP unleash their debut album Mourning Moon! A harrowing journey through all things Hardcore, Metal, and Goth, Mourning Moon drags the listener through the dark in 12 thrilling tracks, and drives a stake right into the heart of 2023's most compelling releases. Opener "Climax Infinity" sets the tone for what's to come: the undeniable hardcore swagger of the Boston-based band is immediate as drums and guitars stomp and riff against one another, while FINAL GASP vocalist Jake Murphy howls - "watch as the way it falls, your loss of control, from whispered incantations, burnt down for your invocation!" Mourning Moon showcases expert songwriting and lyrical crafting, snarling and barking through the harsher, heavier punked out moments in "Blood and Sulfur" and "Frozen Glare" while flexing arena chops on the tremendous "Temptation" and utterly despairing "The Vanishing". Elsewhere, the hook-laden title track explodes out of the underground and aims straight for the moon. Lead single "Mourning Moon'' is downright catchy and showcases FINAL GASP's knack for excellent songwriting. A song professing eternal love through a lens clad in black and morbid as ever, "Mourning Moon" proves to be one of the most inventive journeys this side of the genre in recent times, recalling a prime period for luminaries Killing Joke and Danzig. With Mourning Moon, FINAL GASP emerge from the shadows, and step into the forefront of extreme music's new guard.

The American south isn't just Brent Cobb's home. It's his muse, too. A Georgia native, he fills his Grammy-nominated songwriting with the sounds and stories of an area that's been home to southern rockers, soul singers, country legends, and bluesmen. Cobb has a name for that rich tapestry of music — "southern eclectic" — and he offers up his own version of it with his newest album, Southern Star. 

"Down here, there's a lot going on and there's nothing going on at the same time," he says. "You've got all these different cultures in the south, and everything is mixed in together. Otis Redding and Little Richard were from the same town in Georgia. So were the Allman Brothers. James Brown and Ray Charles grew up right down the road. All these sounds reflect the South itself, and that music has influenced the whole world. It's definitely influenced mine."

Filled with country-soul songwriting, laid back grooves, and classic storytelling, Southern Star distills the best parts of southern culture into 10 of the strongest songs in Cobb's catalog. He began writing the material after leaving Nashville — where he spent a decade releasing solo records like 2016's Shine On Rainy Day (which earned a Grammy nomination for Best Americana Album) while penning hit songs for Luke Combs, Miranda Lambert, Little Big Town, and dozens of others — and returning with his family to Georgia. It was a time of change. Not long after celebrating the arrival of his second child, Cobb found himself mourning the death of his longtime friend, Jason "Rowdy" Cope of The Steel Woods. 

"Rowdy was like my older brother," says Cobb, who named Southern Star in part after a small-town bar that he and Cope used to frequent. "He loved the music that came out of Georgia, and he helped me appreciate it even more. A lot of artists like to branch out and become experimental as their career continues, but I sort of go the opposite way. I feel like I can never go wrong if I continue to get closer and closer to the core of who I am and what I love, musically. Coming back to Georgia helped me with that. Southern Star is the sound of me getting closer to the source."

Don't let Cobb's breezy songs about rural life fool you. There's some serious complexity lurking beneath the surface. At first glance, "It's a Start" unfolds like the soundtrack to a leisurely afternoon in the south, with Cobb singing the praises of crawfish, barbecue, and day-drinking. Dig deeper, though, and the song reveals itself to be something more universal: a reminder to appreciate the small things in life, stay mindful, and chase down new horizons at your own pace. To Cobb, there's something distinctly southern about that message, too. "Sometimes, there ain't shit going on down here," he says with a laugh, "but since there's nothing else to do, you learn to be laid back. You learn to use your imagination, and you wind up imitating your surroundings. These songs sound like the place that inspired them. On 'It's a Start,' when the organ comes in, it reminds me of the sound of the cicadas and frogs you hear in the springtime."

Cobb doesn't just imitate his surroundings with Southern Star. He immerses himself within them. To record the album, he headed to Macon and set up shop at Capricorn Sound Studios, where artists like the Marshall Tucker Band, Charlie Daniels, and Percy Sledge once roamed the halls. "I decided to use all local musicians," says Cobb, who self-produced the album with help from Oran Thorton. "I wanted Southern Star to shine a light on the southern players who are still living and working in Macon. Everyone on the album is a Georgia native apart from Jimmy Matt Rowland, who plays keys, and Oran Thornton, my engineer and co-producer. That's it. I wanted to capture that 'southern eclectic' sound on this album, and I don't think you can capture it without being in it."

Eclectic, indeed. Track like "Devil Ain't Done," "Livin' the Dream," and "On't Know When" dish up greasy servings of country-fried funky-tonk, while "Patina" and "Kick the Can" evoke the unhurried sounds of 1970s folk music. "When Country Came Back To Town" even shifts its focus to Los Angeles (where Cobb recorded his indie debut, No Place to Leave, with producers Shooter Jennings and his own Grammy-winning cousin, Dave Cobb) and Nashville. The song is a salute to the unsung heroes of the music communities in both cities, laced with shout-outs to Nikki Lane, Hayes Carll, and others. "It's about the friends I've made along the nearly 20-year-old path it's taken for the independent country movement to grow into what it is today," he adds. 

During the months leading up to Southern Star's release, Cobb spent much of his time on the road, playing to stadium crowds of 60,000 people as Luke Combs' opening act. Perhaps that's why Southern Star feels so well-timed. Not only is it a snapshot of an artist at the peak of his songwriting abilities; it's also a love letter to his southern roots, made all the more potent by his recent travels. 

"You know how when you’re growing up, you're told that if you ever get lost out there, look for the northern star to help find direction back home?" he asks. "Well, I'm from Georgia, so I always look for the southern star. This album, the songs, the sounds… they're all a product of where I'm from, both musically and environmentally. Historically and presently, that area also happens to be the same place that cultivated a good many of the most influential artists in the whole world of music. Music as we know it would not exist without the American south. It's funky and sentimental. It's simple and complex."

With Brent Cobb, the southern star shines on. 

LE SSERAFIM will be releasing their 2nd Japanese single, UNFORGIVEN. Along with the lead song “UNFORGIVEN – Japanese ver.” The single will also feature the Japanese version of “ANTIFRAGILE” and one Japanese original track.

Limited Edition A Packaging: The Limited Edition A (CD + Photobook) includes a slipcase, a 32-page photo booklet, 1 selfie photocard (randomly enclosed out of 5) and an 8-page lyric booklet.

Five years after his first single release – “Fall on Me” with Andrea Bocelli – and two years after he stepped into the spotlight with his own first single “Solo,” Matteo Bocelli will release his debut album Matteo on September 22, 2023. The 12-track album showcases a mix of songs in English and Italian, with writing and production contributions from Ed & Matthew Sheeran, Jesse Shatkin (Miley Cyrus, Sia, Kelly Clarkson) and Stuart Crichton (Kesha, Backstreet Boys). CD Softpak.

Surfacing is the fourth studio album by Canadian singer-songwriter Sarah McLachlan. Released in July 1997 to coincide with the start of her Lilith Fair tour, the album became an iconic piece of McLachlan’s discography. This award-winning album includes the hits "Angel", "Adia" and "Building A Mystery".

Anches En Maat is the first new album from Grails in over a half-decade – following the masterful Chalice Hymnal in 2017 – and their first album recorded with all members in the studio together since Doomsdayer’s Holiday in 2008. With every Grails album released since Doomsdayer’s Holidaybeing a sprawling double-album endeavor, Anches En Maat was conceived as a return to the comparatively efficient single LP runtime. With that, Grails set out to craft the same sonically dense world that their longer albums showcased, while trading singular indulgences for live collaborative interplay.

“Wallsocket is a loose concept album about the American town of Wallsocket and the people that live in it. I first started making music purely on the computer, so my challenge for this album was writing the songs acoustically first and adding production afterwards. A lot of the themes of the project can be summed up by taking something natural and trying to sterilize it.

At the time of writing, I was obsessed with using the 'horseshoe theory' in an apolitical context. Where in our lives are we so one thing that we wrap back around and become its opposite? That theory is riddled throughout the album.” - underscores

Groundbreaking Brooklyn MC Sensational returns with a new album produced by veteran Calgary producer The Dirty Sample. For this unique collaborative experience, The Dirty Sample serves up a selection of his dusty, cinematic beats for Sensational's distinct chunk 'o bliss swagger, his delivery both laidback and stylin. Joining Sensational on The Spot Rocker are Ol' Gorilla Bones and Hawd Gankstuh Rappuh MCs Wid Ghatz members Guy Albino and Flybot Van Damn.

In 2019, metal musicians CC McKenna (drums) and Doug Weiand (lead guitars) set forth on a dark musical path - aligning diverse metal influences with otherworldly channelings of alchemy, the occult and all things esoteric. Little did they know, the final ingredient of their impending amalgamation was on the horizon, set to emerge as DEATH DEALER UNION. After meeting acclaimed frontwoman Elena Cataraga (a.k.a. Lena Scissorhands of modern metal frontrunners Infected Rain), a musical pact was instantly formed - propelling the band into the studio with producer Valentin Voluta (also recognized for his work with Infected Rain) to conjure their lauded debut collaborations “Borderlines” and “Beneath The Surface”. The tracks went on to premiere in 2022 with top-notch music video visuals, garnering nearly 1 million views on YouTube alone to date. Now, DEATH DEALER UNION return with two new members - Hunter Havok (rhythm and lead guitars) and Jonny Heinz (bass) - in tow, and are set to unleash their very first sacrificial offering to the masses. Their debut, Initiation, out September 22, 2023 via Napalm Records, brings forth the huge sound and exciting visuals fans experienced with the band’s previous offerings, plus an entire new trove of musical and lyrical elements. While no track is the replicant of another, they all weave a common thread of compelling essence that will have listeners clamoring to heed the word of DEATH DEALER UNION. Initiation kicks off with its instrumental title track, droning deeply into electronic flourishes and spine-tingling organs. The track flows into first album single “The Vow of Silence” - a fast-paced burner featuring aggressive verses and a catchy chorus that fully showcases the album’s immense production, once again helmed by Valentin Voluta. “ILL FATED” juxtaposes 80s-influenced clean guitars and sinister metallic riffs as Elena Cataraga displays her dynamic trademark vocal delivery and introspective wordplay, while later, “The Integument” - which features a sizzling music video accented by heavy metal dance troupe Cherry Bombs - turns the pace all the way up with traditional power metal flavor before transforming into a ghostly, hypnotizing soundscape. Tracks such as “Ekphrasis” and “Mythos” - the latter boasting one of the album’s most heart-stopping guitar solos - are rife with chunky 90s heavy metal and even nu-metal-inspired riffage. “The Big Blue”, “Back To Me”, “The Downfall” and “Anew” dance with metal styles ranging from symphonic power to progressive, showcasing the band’s diverse macrocosm of musical skill, before potent, heavy ballad “Love Me When I’m Ugly” provides heartfelt lyrics and melodies. Initiation ends with “Beyond Heaven”, an opus of expansive harmonies and eerie embellishments, closing the album with its most theatrical cut. Not only does Initiation offer fans the chance to witness Elena Cataraga’s alter ego on raw display, it introduces the band as an intriguing force to be reckoned with. Find your own power within DEATH DEALER UNION - your Initiation is only the beginning!"

Kaskade and deadmau5 first partnered on their 2008 smash “I Remember,”—heralded by Rolling Stone as one of the top100 dance music tracks of all time. 14 years later, the duo has formalized their occasional collaborations and long-running friendship into an official project, Kx5, with a self-titled album that carries on the genre-defining spirit of their early work with the additional excellence that comes from a decade and a half of studio and onstage experience for each. Those “different things” are evident in the evolving sound of Kx5 since the release of “Escape.” The debut single carried on the tradition of sleek melodic house music first heard on “I Remember”, securing significant Top 40 radio play and eventually becoming the #1 dance track of the year in 2022. However it was just the starting point for months of sonic exploration that resulted in tougher-sounding songs like “Alive” featuring The Moth & The Flame (TMTF), “Avalanche” and “Take Me High.” The record is a double LP featured on gold vinyl.